Thursday, April 30, 2009
Monday, April 27, 2009
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The question I asked myself was: how to connect the shape of the building with what is inside then ?
The answer I found in the technology created by Electroland , which is a team of designers from Los Angeles, or a floor embedded red LED light on the ground that varies according to the movements of visitors . Applying this type of flooring in internal routes nell'dificio interacts with those who enter it, this principle of interaction with the building is the same basic principle that is at the heart of the area, that is those who enter the lottery must feel part of this .
Another solution is to bring interested in what I have in front: THE MUSIC!
Also, thanks to an invention Electroland (LED panels on the facade of the building), I can certainly recreate the idea of \u200b\u200bmusic that's inside dell'edifiio.
And if the building in addition to visually interact with the people who come interacted also in terms of energy? If the product movement from the ball you could get electricity? And 'this idea that is at the heart of the club Off Corso in Rotterdam built, but the same idea is applicable in this project. How can I draw energy from the movement?
The answer that the supply of special floors suspended on special crystals that produce electricity when the facts are startling.
Sunday, April 26, 2009
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The Urban Voids included in the macro that I considered were chosen based on two fundamental criteria: proximity to my area and the apparent affinity with some design ideas .
In this table is shown what is the root element of the neighborhood: that these grades spaces used as green spaces that could be used as the principle of an eco-friendly path.
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The grid above is the result of the study of the main streets of the neighborhood but also answers a fundamental question: how can a resident of the area interact with my lot?
The answer is simple, through a series of pathways that join the areas that have common goals. Intersection of these paths can not be born an aggregator, which can be square or even a point inside the building where it still generates aggregation.
Why so large a grid?
It 's the first choice I made, to not tie too to my building, because in an area where there are no prevalent types of built and there is a real regular grid, make a regular mesh inside just inside the lot did not seem like a good Sceta. Also, if you want to set all my tracks on the project was much more interesting to study how people could "join my lot" and how they could get lots of my neighbors.
Wednesday, April 8, 2009
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Monday, April 6, 2009
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It 's true that the best ideas come when you do other things, in fact while I was on other matters affancendato I've come up with this combination of words that summarizes my whole driving force. I thought that was the backbone of my project: Nature. From nature to plants. Crolofiliana by plants for photosynthesis.
Why Creative Commons?
Why are groups of people who embody everything:
Wednesday, April 1, 2009
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busy day but also stimulating. Necessary to restart the brain , after much thought to the form and to what this project was to carry out now is the time to stop a second to think about things you really need the neighborhood.
We start from the project areas, instead of 4 areas, but only 2, 21 and 23.
smaller area of \u200b\u200boperation allows for a less dispersive, but also opens new areas that are willing to sviuppare a project that establishes a kind of continuity with the project by Stefano Pisa, which will occupy the area 24 and 26.
http://http//stefanopisa.blogspot.com/
Why "Quo Vadis?"
This title should be provocative and comes after a review of services in the neighborhood. I noticed that there are no stores its poles of aggregation. "Quo Vadis?" in Latin means "Where are you going?" and the answer to this question had become: "In my area" and thanks to a speech paths "even in areas adjacent to mine."
Why?
As far as my area offers all that is missing in the neighborhood, also enriches a series of interventions that aim to rehabilitate the area of \u200b\u200bTorpignattara.
The Premises: place of recreation and aggreazione for excellence, play an important part in the project. We say that is the core around which everything revolves.
Creative Commons: non-profit organization is dedicated expansion of the scope of creative works to share and use public offerings. It will also make it possible, as has always happened before a substantial abuse of the law on copyright , the use of creative works of another genius in full compliance with existing laws.
How to integrate into the project? opening of spaces for those who want to make music, should be in a challenging environment to produce and definitely be an environment where music breathes helps.
radio station: is not a radio station in a nightclub, but a live music radio station created by the Creative Commons and commissioning Onsa by the same DJ that enliven the premises. It 's a radio alive!
Live Performances: how many times have you thought, "I would love to hear my creations via live performances? "It is innovative thinking, but most importantly it is a thought that has already garnered acclaim in London ... for example you can perform in the Metro stations, as there are actual positions taken by the current and space for instruments, designed for all the composers who are willing to make partakers of the passers-by their new ideas.
do such a thing in an area that speaks and lives mainly music takes on an even more strong, above all if these stations were located in strategic points of passage.
Local Outdoor: An alternative during the summer months. Reusable space for concerts, for a fee.
Bar: For completeness, it seemed right to add a last but not least activities that will develop in the area. If the club is a gathering place and entertainment, for sure the bar is the place par excellence where people get together to exchange some talk at the end of the day ... this can happen is that a musician is whether he is a person who came in for a walk. It can also be a sort of femata for people leaving or entering the premises ... the possibilities there are so many ...